My artistic practice explores the shifting relationships between bodies, technologies and living systems. Working across performance, immersive media, artificial intelligence and speculative design, I create experimental environments where biological, digital and performative realities intersect, overlap and continuously transform one another.

Rather than treating technology as a tool for producing images or objects, I approach it as an active participant in artistic processes. Artificial intelligence, virtual environments and computational systems become collaborators in investigating how forms emerge, evolve and acquire meaning through interaction. I am interested not in technological innovation itself, but in the new conditions of perception, embodiment and coexistence that technologies make possible.

The body remains at the centre of my practice. I understand it as a dynamic interface through which relationships between the human, the technological and the more-than-human can be experienced and negotiated. Performance, immersive installations and material experimentation allow me to investigate the body as a site of transformation rather than a stable or isolated entity.

Increasingly, my work focuses on processes of translation—between virtual and physical environments, computational models and biological growth, speculative concepts and material forms. Instead of designing fixed objects, I create situations in which forms develop through interaction, adaptation and emergence. In this way, artistic practice becomes a space for exploring how future modes of living, sensing and creating might evolve through collaboration rather than control.

My projects are not intended to provide definitive answers. They construct experimental conditions in which uncertainty, transformation and coexistence become productive forces. Through artistic research, I seek to imagine new relationships between bodies, intelligent technologies and living matter, while questioning conventional distinctions between the natural and the artificial, the physical and the virtual, the designed and the grown.